A Peek at Gel Plate Printing
A Peek at Gel Plate Printing
It’s been a busy summer. Heck, it’s been a busy YEAR. And that can mean falling behind on tasks, such as keeping this blog and the Artistic Artifacts YouTube channel updated. So I wanted to pop in with a quick surface design demo — watch as I monoprint on a Gel Press-PolyGel Gel Plate on fabric.
As you see, monoprinting is easy — and I can tell you it is addictive! Simply apply your paint, ink, etc. with a brayer or other tool, make your mark with textures and press your substrate onto the plate and rub gently. Then just lift the print and admire!
Below is a view of the fabric monoprint I created in the Creative Clip. I worked with the manufacturers to formulate our Artistic Artifacts Fluid Textile Paints so that it had the qualities to make it an ideal paint for gel plate monoprinting: an easy flow consistency right out of the squeeze bottle, high pigmentation, and permanent on fabrics.
When brayering, your paint colors can stay somewhat distinctive as in my red and yellow swatch, or you can blend them together to create a completely new color, as in the below example.
While acrylic-based paints such as our paints are the most popular choices, a wide variety of medium can be applied. The manufacturer of the Gel Press Plates notes that they have seen prints created with everything from tempera to oil pigments sticks, alcohol inks and more. They offer this tip: if you can wash the media off the plate with materials you would use to clean your hands, then it should work well on the plate.
You have so many options to create texture and pattern in your paint before you pull your print! Pictured above left is a rubbing plate impression (Cedar Canyon Rubbing Plates were sold in sets of six and are deeply embossed with patterns); right is a stencil in place on a round printing plate.
And we all know my love of wooden printing blocks... their texture means they are wonderful to pick up paint off the plate, as in the example above, leaving a design behind. And of course that loaded wood block is immediately stamped onto another piece of fabric or paper!
I thought you might enjoy seeing this photo of the quilt pictured at the top of this post (in detail; the full shot is below) while it was in progress. That’s Jamie Malden of Coloricious adding the white wood block prints to our gel plate printed fabric blocks. I borrowed this photo from Liz Kettle of Textile Evolution’s 2013 “3 Artists + 3 Days = Creative Frenzy.” blog posting. Jamie was in the U.S. and we were lucky enough to host her for a block printing class; Liz was in town too, so the three of us set aside a few days to do some creative collaborating here at Artistic Artifacts.
I hope this post inspires you to try monoprinting or other surface design technique — creating your own fabric or paper is very satisfying and ensures your finished artwork is truly unique.